Wound Culture and Public Space: Mark Seltzer’s concept of the pathological public sphere

Mark Seltzer: Serial Killers (II): The Pathological Public Sphere Critical Inquiry, Vol. 22, No. 1 (Autumn, 1995), pp. 122-149 Seltzer’s essay on serial killers and the pathological public sphere immediately calls J.G. Ballard to mind. Eventually Seltzer does cite Ballard, but it is in reference to Ballard’s Atrocity Exhibition, a selection that renders the author’s omission … Continue reading Wound Culture and Public Space: Mark Seltzer’s concept of the pathological public sphere

Urban Media Studies conference in Zagreb, Croatia: post-trip report

On September 24th and 25th, I was on hand for the Urban Media Studies conference, hosted at the University of Zagreb's Faculty of Political Science. The conference was organized by members of the ECREA temporary working group on media and the city. It was a thoroughly international event, with participants from across Europe and the … Continue reading Urban Media Studies conference in Zagreb, Croatia: post-trip report

Immediacy, Hypermediacy, and Digital Rhetoric: Two views of Remediation

In Remediation: Understanding New Media (1999), Bolter and Grusin present a genealogy of media forms as it relates to current North American media phenomena built around three key terms: immediacy, hypermediacy, and remediation. The authors use the term “remediation” to refer to “the representation of one medium in another” (p. 45). They are primarily interested in … Continue reading Immediacy, Hypermediacy, and Digital Rhetoric: Two views of Remediation

Secondary Orality and Electric Rhetoric: the ground of sound

In Orality and Literacy, Walter Ong introduces the term secondary orality to characterize the recapitulation of oral communication characteristics in electronic media; thus, the introduction of secondary orality necessitates a definition of primary orality in order to function as a meaningful concept. Ong distinguishes between two categories of cultures: oral cultures existing prior to or … Continue reading Secondary Orality and Electric Rhetoric: the ground of sound

McLuhan and Mad Men

The final episode of acclaimed TV series Mad Men aired this week. I've not seen any of the show (though now that the series is complete it is ripe for binge-watching), but I did appreciate this piece from Stephen Marche at Esquire, analyzing Mad Men through Marshall McLuhan's media theory (spoilers if, like me, you're not … Continue reading McLuhan and Mad Men

Political Economy in Mumford’s “Technics & Civilization”

I've written about the media ecology tradition, attended the Media Ecology Association's conferences and had an article published in their journal, but up to now Marshall McLuhan's Understanding Media and Neil Postman's Amusing Ourselves to Death are the only primary texts associated with the tradition that I've read. To broaden my knowledge of the tradition … Continue reading Political Economy in Mumford’s “Technics & Civilization”

Critical perspectives on the Isla Vista spree killer, media coverage

  Immediately following Elliot Rodger's spree killing in Isla Vista, CA last month Internet users discovered his YouTube channel and a 140-page autobiographical screed, dubbed a "manifesto" by the media. The written document and the videos documented Rodger's sexual frustration and his chronic inability to connect with other people. He specifically lashed out at women … Continue reading Critical perspectives on the Isla Vista spree killer, media coverage

Ender’s Game analyzed, the Stanley Parable explored, Political Economy of zombies, semiotics of Twitter, much more

It's been a long time since the last update (what happened to October?), so this post is extra long in an attempt to catch up. I haven't seen the new Ender's Game movie, but this review by abbeyotis at Cyborgology calls the film "a lean and contemporary plunge into questions of morality mediated by technology": … Continue reading Ender’s Game analyzed, the Stanley Parable explored, Political Economy of zombies, semiotics of Twitter, much more

Videodrome turns 30

David Cronenberg's Videodrome premiered in February 1983. To mark the 30th anniversary of the film's release, Cyborgology co-founder Nathan Jurgenson reflects on the New Flesh in relation to contemporary social media: Videodrome’s depiction of techno-body synthesis is, to be sure, intense; Cronenberg has the unusual talent of making violent, disgusting, and erotic things seem even … Continue reading Videodrome turns 30

Warren Ellis on violent fiction, death of the Western, Leatherface as model vegan

Slate writer Forrest Wickman was recently shocked to discover that The Texas Chainsaw Massacre functions as pro-vegetarian propaganda. Wickman writes that Chainsaw Massacre is "the last movie you'd expect" to be pro-vegetarian, but I thought this had been the general reading of the movie for years. I recall a reviewer's blurb on my video copy … Continue reading Warren Ellis on violent fiction, death of the Western, Leatherface as model vegan