Gentrification and ‘the fucking hipster show’; hostile architercure and defensive urban design

Linda Nylind for the Guardian

Linda Nylind for the Guardian

[Marxist geographer Neil] Smith offers a dry, but emphatically structural account of this process, which he first theorized in the late eighties with Soho and the Lower East Side in mind. Gentrification has since become central to neoliberal urbanization generally, and New York City in particular, under the developer-driven Bloomberg administration.

But why bother with “dry” and “structural” when you can tune-in to the “fucking hipster” show?

Unlike Smith’s rigorous Marxian analysis, most popular accounts from the spurious creative class mystifications of Richard Florida to standard issue conservative populist diatribes forget the larger forces and primary movers in this process, which is instead reduced, metonymically, to the catchall figure of the hipster.

[…]

On topics ranging from the capitalist dynamics of gentrification to the casualization of employment among ostensibly middle class Millennials, the “fucking hipster” show beats staid structural analysis every time — even for many members of the self-identified Left.

[…]

We should retire “hipster” as a term without referent or political salience. Its zombie-like persistence in anti-hipster discourse must be recognized for what it is: an urbane, and socially acceptable, form of ideologically inflected shaming on the part of American elites who must delegitimize those segments of a largely white, college educated population who didn’t do the “acceptable thing.”

The anti-hipster censure here includes a healthy dose of typically American anti-intellectualism, decked out in liberal bunting, subtle homophobia, and recognizably manipulative appeals to white, middle class resentment, now aimed at the lazy hipster, who either lives on his trust fund or, more perniciously, abuses public assistance, proving how racist templates are multi-use tools.

Our power elites’ rhetorical police action becomes increasingly necessary as large swaths of the people lumped under the hipster taxon slip into the ranks of the long-term un- and underemployed. Once innocuous alternative lifestyles could potentially metamorphosize into something else altogether. Better to frame “alternative lifestyle” in terms of avant-garde trend setting without remainder, providing suitably rarefied consumption options for Bloomberg’s new bourgeoisie, as they buy locally sourced creativity on Bedford Ave.

Metal spikes designed to stop homeless people sleeping in the doorway of a London apartment block have been removed, after almost 130,000 people signed a petition calling for them to be taken out.

Pictures of the metal studs outside flats in Southwark Bridge Road were widely shared online last weekend, sparking outrage on social media.

Many criticised the spikes as inhumane, and compared them to those used to stop pigeons landing on buildings.

It has been encouraging to see the outrage over the London spikes. But the spikes that caused the uproar are by no means the only form of homeless-deterrent technology; they are simply the most conspicuous. Will public concern over the spikes extend to other less obvious instances of anti-homeless design? Perhaps the first step lies in recognizing the political character of the devices all around us.

An example of an everyday technology that’s used to forbid certain activities is “skateboard deterrents,” that is, those little studs added to handrails and ledges.  These devices, sometimes also called “skatestoppers” or “pig ears,” prevent skateboarders from performing sliding—or “grinding”—tricks across horizontal edges. A small skateboard deterrence industry has developed, with vendors with names like “stopagrind.com” and “grindtoahault.com.”

[…]

An example of a pervasive homeless deterrence technology is benches designed to discourage sleeping. These include benches with vertical slats between each seat, individual bucket seats, large armrests between seats, and wall railings which enable leaning but not sitting or lying, among many other designs. There are even benches made to be slightly uncomfortable in order to dissuade people from sitting too long. Sadly, such designs are particularly common in subway, bus stops, and parks that present the homeless with the prospect of a safely public place to sleep.

[..]

The London spikes provide an opportunity to put a finger on our own intuitions about issues of homelessness and the design of open space. Ask yourself if you were appalled by the idea of the anti-homeless spikes. If so, then by implication you should have the same problems with other less obvious homeless deterrence designs like the sleep-prevention benches and the anti-loitering policies that target homeless people.

In addition to anti-skateboard devices, with names such as “pig’s ears” and “skate stoppers”, ground-level window ledges are increasingly studded to prevent sitting, slanting seats at bus stops deter loitering and public benches are divided up with armrests to prevent lying down.

To that list, add jagged, uncomfortable paving areas, CCTV cameras with speakers and “anti-teenager” sound deterrents, such as the playing of classical music at stations and so-called Mosquito devices, which emit irritatingly high-pitched sounds that only teenagers can hear.

[…]

The architectural historian Iain Borden says the emergence of hostile architecture has its roots in 1990s urban design and public-space management. The emergence, he said, “suggested we are only republic citizens to the degree that we are either working or consuming goods directly.

“So it’s OK, for example, to sit around as long as you are in a cafe or in a designated place where certain restful activities such as drinking a frappucino should take place but not activities like busking, protesting or skateboarding. It’s what some call the ‘mallification’ of public space, where everything becomes like a shopping mall.”

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