McLuhan’s approach to media studies is almost always characterized as deterministic. The entry for McLuhan in the Penguin Dictionary of Critical Theory states in part: “McLuhan’s version of technological determinism is extreme […] the most striking feature of his studies of the media is their total failure to discuss the ownership and control of means … Continue reading Resistance is Feudal: A descent into McLuhan’s media maelstrom
Tag: media
Your brain on Kindle; 21st Century media literacy; how Disney shapes youth identity
Radio program New Tech City from WNYC interviewed Mike Rosenwald on his research into the effects of reading from a screen as opposed to print. Article and audio from the interview available here: Neuroscience, in fact, has revealed that humans use different parts of the brain when reading from a piece of paper or from … Continue reading Your brain on Kindle; 21st Century media literacy; how Disney shapes youth identity
Warren Ellis on violent fiction, death of the Western, Leatherface as model vegan
Slate writer Forrest Wickman was recently shocked to discover that The Texas Chainsaw Massacre functions as pro-vegetarian propaganda. Wickman writes that Chainsaw Massacre is "the last movie you'd expect" to be pro-vegetarian, but I thought this had been the general reading of the movie for years. I recall a reviewer's blurb on my video copy … Continue reading Warren Ellis on violent fiction, death of the Western, Leatherface as model vegan
Repost: Netflix moves to top of Internet queue
Last week WIRED reported that movie rental and streaming site Netflix accounts for 22% of U.S. broadband traffic, taking the top spot from peer-to-peer file sharing site Bit Torrent. CNN.com republished the article under the headline “Most content online is now paid for, thanks to Netflix.” The headline indicates the paradigm shift here, the real … Continue reading Repost: Netflix moves to top of Internet queue
The slave that frees his masters: Ulterior agency from Zardoz to Žižek
I recently watched the 1974 film Zardoz for the first time. The film is bizarre and compelling, defying easy comparisons to other movies. Set in the 23rd century Zardoz depicts a post-apocalyptic society where groups of armed men called Exterminators rove the barren countryside hunting and killing people they refer to as "Brutals". The Exterminators … Continue reading The slave that frees his masters: Ulterior agency from Zardoz to Žižek