L.A’s 6th Street Bridge as urban communication convergence zone

Last month the city of Los Angeles celebrated the opening of the new 6th Street Viaduct bridge. The new structure replaces the original 6th Street bridge, an iconic landmark that spanned the L.A. river, connected downtown to Boyle Heights, and appeared in numerous films and other media. The original bridge was constructed in 1932 and … Continue reading L.A’s 6th Street Bridge as urban communication convergence zone

Thoughts on Nomadland and the 2021 Oscars

I finally got around to watching Nomadland this weekend, just ahead of the film’s anticipated Oscars triumph. My viewing was belated for a number of reasons. For one, the fact that the film was only available to stream on Hulu, necessitating that I create a Hulu account, made it easy to avoid. Secondly, I am … Continue reading Thoughts on Nomadland and the 2021 Oscars

Paris, Texas: Cinematic Space, Emotional Landscapes, and American Environments

Paris, Texas is a film about space. Space that you move through and space that you move beyond. The spaces between people, both inner and outer. It is a film utterly fixated upon landscapes: geographical landscapes, symbolic landscapes, and emotional landscapes. It offers one of the most evocative depictions of American environments in narrative cinema. … Continue reading Paris, Texas: Cinematic Space, Emotional Landscapes, and American Environments

Smoke Signals: Buda’s Wagon and Infrastructure Terrorism in Nashville

“The car bomb, in other words, suddenly became a semi-strategic weapon that under certain circumstances was comparable to air-power in its ability to knock out critical urban nodes and headquarters as well as terrorize populations of entire cities. [...] It is the car bombers’ incessant blasting-away at the moral and physical shell of the city, … Continue reading Smoke Signals: Buda’s Wagon and Infrastructure Terrorism in Nashville